Wednesday, April 13, 2011

Rash Itch After Brazilian

Pearl Jam - Ten (Remastered)


Ten 20 years

20 years! this is the time that will meet Pearl Jam active and to celebrate in style the band has decided to launch a series of reissues of its entire catalog to start, obviously, for Ten , their debut released in 1991.

few months ago, when he had said would be launched this commemorative edition, Eddie Vedder said that the mixture made at the time it was not satisfactory, that was one of the reasons why which this material was released in this way, this album is the reversal of Pearl Jam's debut album, but now includes a remix by changing completely the way it was conceived.

topic to topic

Once tranquilite opens the disc, leaving the second run while awaiting the arrival of Eddie Vedder roar of giving birth to one of the great classics group (what song this album is not a classic?).

Even Flow presents us with one of the riff most characteristic of all the Pearl Jam discography. It is almost impossible, or rather a crime punishable by death capital, ignoring the melody. Vedder Some still remember jumping out of control with that flannel shirt fashion put all those years ago.

Alive everything that is said of this song will never be enough. It is part of a strange, and strangely forgotten the other hand, semi-autobiographical trilogy that tells Vedder developments relating to childhood, adolescence and early adulthood.

Once , the first song from the Mamasan Trilogy. [The third song is Footsteps, including the single B-side Jeremy ]. Vedder now brings us to the childhood of a boy who confronts his harsh reality. His father recently died is being adopted as her mother begins to harass and sexually abuse him for his great physical resemblance to his biological father. There, almost nothing. The last minute and a half of this song should be taught in schools. Contains a brutal force, aggressiveness contained, a state that it has maintained for years (see in particular editions of all the tour dates Binaural , with special attention to Barcelona and Sydney).

Why Go , s ollowing the mother-child relationships, is now a daughter who wonders why they left locked in a psychiatric hospital, alone, abandoned. Another issue that continues the trend sweeping marked and now, finally, with a prominent Jeff Ament to the four strings giving the essence and strength it deserves.

Black , the fifth cut this gem of album from the first chord of emotions flooding, overflow and leave us knocked out until the end of five minutes and forty-four seconds that make up this song. Without doubt the most beautiful song by Pearl Jam, utterly beautiful. A chorus brutally honest, disheartening. A long wail of Vedder: "I know someday you'll have a wonderful life, I know I'll be a star in the sky of another person, but why, why not be in mine?" .

Jeremy , sixth cut of the album and third single after Alive and Even Flow . The story of young Jeremy : "One morning this guy goes to school like any other day and hit a shot in the mouth in front of all his companions. An inattentive father, a mother who disowns his son, a few classmates who did not make it up. But "unleashed the lion" and never was able to control it. At last Jeremy "spoke in class today," but now only "have to try to forget, tried to wipe the slate" ("Forget a suicide in your face? Clear the blood of the board?) . " This is another of the mythical Vedder and his family. In the original video clip of Jeremy (which is actually the second version) observed like this guy takes the gun from his backpack, enter the barrel in his mouth and then, after switching from plane to see his classmates all punctuated by the horror of suicide. A video of the epic, of which no longer made. Obliterate this year in different categories of the MTV awards. Then it would be censored, removing the firing of Jeremy, and would not be the last time as a boy years ago killed three high school classmates claiming to be infuence of this video and after the massacre returned to Columbia this song scissors pass moral censure.

now almost we enter the last third of the LP and comes Oceans and body image change. Where are the guitars? And the compelling rhythms of drums? What happened? A delicate guitar that starts in D, a heavy drum beat that runs around the toms, a voice that seems even treated by momemtos Flanger. During Unplugged, in 1992, Eddie talks this song as "a love song on my surfboard, but now ... now is for a person named Beth I hope to see tomorrow." is an oasis of peace this song, almost like a spiritual reserve in the frenzy rhythmic and decadent lyrics of this album. A small glimmer of hope.

Porch returns the anger and strength to all. "This could be the day, take my hand, lie behind me, I just need to tell you can not go another day, know I should not return to touch you, hold you, feel you in my arms ... never again" . Despite having other formidable guitar is perhaps the weakest song on the album.

Delving into Garden is to discover an exquisite half-time with some environmental aroma and a delicate handling of the battery plates. Another sad sentimental ride, now for a rock garden in which to heal some open wounds that do nothing to remember that no, I need to stay alive.

We finally reached the penultimate song in Ten American edition. Now, through a common thread, Vedder presents the situation of three very different: a heroin addict, a suicidal person and a young woman who loses her virginity (Maybe raped?). The emotional burden manifested throughout the disc back to speak at full capacity during the bars of this song is nothing positive.

And after forty minutes and twenty seconds seems to be an end to this great album by Release, which includes as a hidden track Master / Slave . Another delicate composition, line Oceans, where Vedder sings to his father long dead by the MS. "Oh, dear father, myself, like you somehow I'll ride wherever the waves carry me, holding out fear."


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