early 80's born Ti Jazz, a band featuring an innovative product for the time.
Britain had risen from their slumber and were becoming more numerous musical projects for the recovery of indigenous traditional music, so in these circumstances, few dared to go further.
The initial formation of the band had an electric bass, percussion and accordion, later adding saxophone, bombard, clarinet ...
The band's stylistic intention was to merge the new elements with traditional music, paying tribute to his time to the influences of French jazz groups of the 40's.
currently before the first hearing, is possible that over time and prevents dent his music will suggest a definite fusion between jazz and traditional music. We must consider reciprocity of Breton tunes, which form an almost impenetrable barrier. From my point of view, I think that in Galicia these influences have come later.
In particular we would expect the year 1997 with the release by pianist Alberto Conde "A lagoa two Atlanteans" to taste the first statement of intent regarding the merger of both styles. Alberto Conde
published in 1999 "Celtrópolis" as the author himself describes as a more immersed in the so-called "world music" .
it true that you can include many groups with strong influences such as Rock of Fía na, we can even categorize some incursions into the early work of Budiño.
were the musicians that accompanied its debut moaña bagpiper who form the amazing group Laio, that their only job "Luned" (2002), indicate the age of majority ; in the fusion between traditional Galician music & jazz.
were the musicians that accompanied its debut moaña bagpiper who form the amazing group Laio, that their only job "Luned" (2002), indicate the age of majority ; in the fusion between traditional Galician music & jazz.
This project has been a victim of unfair "cultural diglossia Galician, gaining greater recognition in foreign (im portant by touring Canada) in their own home. Perhaps at that time
honey was not made for the mouth of the ass ...
honey was not made for the mouth of the ass ...
Lasbleiz: Accordion diatonique, chant
Richard Dilly: Bass guitar
Jacques Le Pendu: bass clarinet, clarinet
Oliver Mell: Bombarde
Camille Olivier: saxophone, bagpipes
Tracklist:
1. Following Plinn: Your simple
2. Following Plinn Bal
3. Plinn Suite: Double Your
4. Haunt Dro "Bamenjou"
5. Laridé 8 Temps
6. Ar vartoloded
7. En Dro "Cilu"
8. Gavotte: Ton simple
9. Gavotte: Tamm kreiz
10. Gavotte: Ton double
11. Tricot
12. Karotchoc
0 comments:
Post a Comment