Natuzzi Cushion Stuffing Repair

INSTRUMENTS GREEK FOLKLORE - THE SANDOURI (1995) Recalling

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Tracklist:


1. Pigi
2. Wedding dance procession
3. Zeibekiko for male dancers
4. San ta marmara tis polis
5. The turtle dove
6. Azizi
7. Taksim "Huzam"
8. Widow
9. Tender Girl
10. Dance Tsamikos
11. Zeibekiko of Adramytium (city in Asia Minor) Kioroglou dance
12. Dance Kioroglou
13. Ston Adi tha Katevas
14. Aishe
15.
Taksim 16. Hassapikos dance from the day after the wedding ...

Sandouri cymbal

The Greek, comes from a variant of the Hungarian cimbalom, is a musical instrument that has a somewhat uncertain origin. It is believed that the Roma in Eastern Europe led to approximately the thirteenth century. It is widely used in music from countries such as Hungary, Romania, Slovakia, Ukraine, etc., And Iranian Persian music, which is known as the Santur.

is a stringed instrument played with a pair of mallets in both hands, hitting the strings to make them sound. It is a kind of dulcimer but larger, although there are also portable.

uses steel strings, the most acute are arranged in groups of four and are tuned in unison. The most serious are gimped steel arranged in groups of three. Also tune in unison.

The first representation of a simple percussion stringed instrument which is categorized dulcimer as a deck can be found in the Assyrian bas-relief in Kyindjuk, approximately 3500 BC. The peoples of the Mediterranean had this instrument, like many peoples in Asia, but called it different names.
The hammer dulcimer folk was taken by V. Josef schund, an expert piano maker who lived and worked in Pest, Hungary, as a basis for a cymbal concert, devised the series production in 1874. The first textbook for this instrument was published by Geza Allaga, a member of the orchestra of the Royal Hungarian Opera in 1889.

The instrument became popular in the Austro-Hungarian Empire and was used by all ethnic groups in the country, including Jews klezmorim and musicians Slavs and Magyars (Hungarians), and Roma (Gypsies) and musicians Lautari (Lautari). The use of this instrument was extended to the late nineteenth century and replaced the kobza in Romanian and Moldovan folk groups. In Wallachia is used almost as a percussion instrument. In Transylvania and Banat, the style of playing is more tonal, heavy with arpeggios.

Links:

Wikipedia - cimbalom dulcimer



Psalter

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Music: Kerd - Celtic Guitar - (1999)

A feast for the ears from the UK. Compilation of the best string players of traditional Breton music.

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Tracklist:

01 Jacky Molard Kudel

_ 02 _ Pat O'May Ty Moon
03 Nicolas Quemener _ Take Six
04 Melen Aour Alain Genty _ Wind

05 06 Frank Le Bloas Moraer _ Ar
07 Gilles Le Bigot _ Pedenn (La PrieAre)
08 Roland Conq _ Marche Dardoup - Gavotte Pourlet
09 Jenovefa
10 Dre Ar Wenojenn
11 Tangi Le Doreb _ Ugia, Uhellou Glaz In April
12 PSG _ En Avant!
13 Alain Leon _ Ar Plac'h Nanket
14 Jamie MC Menemy _ Margot Maria
15 Jean-Charles Guichen _ Garzoles
16 Yvon Riou _ Deus En-Dro D'ar Ger

How Soon Can You Take A Bath A Hysterectomy

INSTRUMENTS GREEK FOLKLORE - Cretan Lyra





DESCARGA EL DISCO AQUÍ

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Tracklist:
1. Taxim Hijaz 2:38
2. Zeibekikos 3:06
3. Syrtos Azizie 3:35
4. Karsilamas 1:44
5. Zeibekikos Whenever you see two cypress trees
2:02 6. Benter Papapetropoulos
2:59 7. Rodinou Syrte
5:39 8. Sousta Rethemiotiki
3:15 9. Melody Stafidianos
3:06 10. "Kondyli" from Mylopotamos and a fast "pentozali"
5:19 11. "Kastrinos" dance
5:05 12. 3:01 Kotsari
13. Lament (Charon)
2:49 14. Omal (4 / 4) 2:59
15. Tik (5 / 8) 3:00
16. Dipat (9 / 8) 2:58
17. Tas (6 / 8) 2:46
18. Pyrrihios-Sera (3 / 8) 2:42

The lyra (Greek: λύρα) \u200b\u200bis a bowed string instrument, traditional island of Crete. The instrument of three strings are placed vertically and has no a support fixed but sometimes holds suspended in the air with his left hand. The arch, We often incorporates bells ring at the same time rubbing the strings.


Photos 1 Photos 2 Photos 3


Photos 4 Photos 5


The Lyre of Crete, is considered the way to survive closer to the Byzantine Lira, an ancestor most European bowed instruments. Morphology is related directly to the Kamancha, kemânçe or traditional Kemence Turkey and Bulgaria gadulka.
The ninth-century Persian geographer Ibn Khurradadhbih (D. 911), in lexicographic analysis of the instruments, the lyre cited as a typical instrument of the Romans along with the urghun (organ), shilyani (probably a type of harp or lyre) and salandj (probably a bagpipe) (Margaret J. Kartomi, 1990). The lyra was extended by the Byzantines to the west across Europe with an uncertain evolution, one notable example is the "Lira da Braccio" Italian bowed instrument of the fifteenth century, possibly the predecessor of the modern violin.

There are three main types of Lyra Crete: 1.The

lyraki (Greek: λυράκι), a small model of Lyra, almost identical to the Byzantine dedicated lyra only to the accompaniment of dances (Anoyanakis, 1976) 2.The

vrontolyra (Greek: βροντόλυρα), which produces a loud sound, ideal for songs. 3.The

common lyra (Greek: λύρα κοινή), popular on the island today, designed after the combination of lyraki with the violin.

violin influence caused the transformation of the many features of ancient Cretan Lyra (lyraki) in contemporary lyra, including tuning, playing, and repertoire. In 1920, the "viololyra" was developed in an effort local artisans to provide the sound and technical possibilities of the violin to the old Byzantine lyraki. Twenty years later a new combination of violin lyraki and gave birth to the common lyra. Other models include four-stringed lyre. In 1990, Ross Daly had designed a new type of Cretan lyra lyraki incorporates elements from the Byzantine model and sarangi india lyra. The result was a three-stringed lyre of 29 cm in length (the same as the standard of the Cretan lyra), and 18 sympathetic strings that sound like Indian jawari (the number of sympathetic strings then increased to 22).

The Lyre of Crete, despite the coincidence of name has any relationship and can not be confused with the lyre of ancient Greece.

Featured performers are: Kostas Mountakis, Thanassis Skordalos and Psarantonis.







Links:

• Magrini, Tullia. 1997. The Cretan lyra and the Influence of Violating. Ethnomusicology Online 3

Ross Daly



Mara Aranda Efren Lopez

In Spain, performers like Efren Lopez, Mara Aranda, the group's hook ya extinguido fire in his study of Claras testimonials yet Musics:

L'Ham de Foc - Feature Rodasons 1.
L'Ham de Foc - Feature Rodasons 2.
Valencia Estanbul, Thessaloniki, Kabul (1 / 4)
Valencia Estanbul, Thessaloniki, Kabul (2 / 4)
Valencia Estanbul, Thessaloniki, Kabul (3 / 4)
Valencia Estanbul, Thessaloniki, Kabul (4 / 4)

Write An Acrostic Poem About Summer

THE JAZZ MASTER CLASS AT & BLUEGRASS FIDDLE XUSTÁNS (Pontecaldelas, Pontevedra)



Granollers
Natural
began studying violin at the Conservatoire de Granollers Ruera Josep Maria with Professor Emilio Moreno where he obtained a bachelor degree elementary education will continue in Barcelona with Prof. Sergio Prieto and the Conservatory of Terrassa where he later obtained bachelor degree medio.En this period is a member of the National Youth Orchestra Sinfóncia Catalunya "," Granollers Chamber Orchestra "and the Youth Orchestra germinans. Scholarship from various organizations including Rotary Club, City of Granollers and Berklee College of Music he moved to America to further their studies at Berklee College College of Music (Boston) where he graduated Cum Laude in Jazz Performance Specialty (1998). During the stay in the United States in New York participates in the festival "Argentina-Brazil II Jazz Festival of New York" with Undertango group in Boston at the World Festival of Music and studied in Nashville several seminars on production and mastering ASCAP on commercial music with Kim Williams & Max Hutchinson Nashville.Tennesse Warner Brothers is also part of the orchestras' Sinphony Boston Conservatory Orchestra and concertmaster of the "Brookline Synphony Orchestra and studied with jazz violin teachers: Darol Anger, John Blake , Matt Glaser, Mimi Robson, Mark O'connor. Back in Spain he teaches at the School of Montmelo, Municipal School Alcañiz, St Quirze School and currently at the School of Music of Catalonia (ESMUC) where he teaches violin, viola, jazz and combo Xelo music modern instruments in other areas.

More information: http://www.myspace.com/oriolsc


gives seminars

string improvisation at the Conservatory of the Basque Country (MUSIKENE) entitled "From rock to Heavy Metal "at the Conservatory of Terrassa, Seminar at the Municipal Conservatory of Middle Gradio Barcelona, \u200b\u200bTarragona Conservatory, Conservatory of Sabadell, Escuela Municipal de Zaragoza, IV, V, VI, VII International Jazz Seminar Zarautz in the first workshop taught by the string in this country and the first Big band String together with teachers: Iñaki Salvador, Chris Kase, Jo Krause, Lluis Vidal, Gonzalo Tejada, Marc Miralta, Jorge Pardo, Carles Benavent, Omer Avital, Kevin Hays, Al Foster, William Klein ..., I and II International Course music Isaac Albeniz, Camprodon.Imparte ESMUC also in the seminar "Three views of the fiddle." He has participated in seminars: International Society of Music Education (ISME-2004-ESMUC), 1 st International Week of the pedagogy of the instrument (2005-ESMUC), 2 nd Platform Pop and Jazz (Association Conservatory of Europe ESMUC), Spring Program with Didier Lockwood in the center "Centre des Musiques Didier Lockwood"-Paris) has played with different Courses at the festivals: "9E Fira Mediterrania d'espectacles d'Arrel Traditional Manresa" with Ton Rullo, has led the Orchestra of St Quirze in Mirandola Italy, l'Orquestra de l'Associació Catalana d'School of Music "Sta Perpetua.Ha participated in 17 guitar festival Barcelona 2006 Gnaposs with the band in the live music market Virus 2004 with String Quartet, Sangla 20 004 with Virus rock String Quartet and the festival "Music in the streets of Vila-seca. kamerata Flemish in the Cone (2002)" When the Jazz Festival 13th-Memorial Tete Montoliu "and" X Festival de Jazz de Lleida "(2003). With the Singles (band Miqui Puig) in 2000, Montblanc and Sangli Rock Festival in XÁTIVA.ES Scorching the World Convention Rotay Club in Singapore (1999), Festival delle terre e Urbino.Sipario Weight Ducale. Carpegna. Italy, World Music Festival. Boston. USA. -1997-98-99. I, II and III International Festival of Country Music Conlin Rural Company.Platja d'Aro. World Festival of Country Music with The Cottage Company. Miranda France. International Festival Eurotreff, Buhen with Symphony Orchestra germinans, Germany. "Mercat de Musica Viva de Vic" 1993.La Bed Company. He has worked on tours and concerts: Miqui Puig, The Singles, Manu Tenorio, Gnaposs, Kamerata Flamenca, Coyote Dax, Virus String Quartet. He has produced and composed part of the book "Turn Me On" along with Llorenç Peris and David Campos Dance Company ', directed, arranged and performed the "Rock the Metal Hervy" together with Granollers Chamber Orchestra and in 2006 has Armonia Mundi recorded Virus String Quartet with his first job in 2006 presented at the National Auditorium Cataluña.Actualmente at UAB studying a Masters in Musicology and Education Musical. .. .. .. .. .. .. .. .. .. ..

More information: http://www.myspace.com/oriolsc