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Tracklist:
1. Taxim Hijaz 2:38
2. Zeibekikos 3:06
3. Syrtos Azizie 3:35
4. Karsilamas 1:44
5. Zeibekikos Whenever you see two cypress trees
2:02 6. Benter Papapetropoulos
2:59 7. Rodinou Syrte
5:39 8. Sousta Rethemiotiki
3:15 9. Melody Stafidianos
3:06 10. "Kondyli" from Mylopotamos and a fast "pentozali"
5:19 11. "Kastrinos" dance
5:05 12. 3:01 Kotsari
13. Lament (Charon)
2:49 14. Omal (4 / 4) 2:59
15. Tik (5 / 8) 3:00
16. Dipat (9 / 8) 2:58
17. Tas (6 / 8) 2:46
18. Pyrrihios-Sera (3 / 8) 2:42
The lyra (Greek: λύρα) \u200b\u200bis a bowed string instrument, traditional island of Crete. The instrument of three strings are placed vertically and has no a support fixed but sometimes holds suspended in the air with his left hand. The arch, We often incorporates bells ring at the same time rubbing the strings.
Photos 1 Photos 2 Photos 3
Photos 4 Photos 5
The Lyre of Crete, is considered the way to survive closer to the Byzantine Lira, an ancestor most European bowed instruments. Morphology is related directly to the Kamancha, kemânçe or traditional Kemence Turkey and Bulgaria gadulka.
The ninth-century Persian geographer Ibn Khurradadhbih (D. 911), in lexicographic analysis of the instruments, the lyre cited as a typical instrument of the Romans along with the urghun (organ), shilyani (probably a type of harp or lyre) and salandj (probably a bagpipe) (Margaret J. Kartomi, 1990). The lyra was extended by the Byzantines to the west across Europe with an uncertain evolution, one notable example is the "Lira da Braccio" Italian bowed instrument of the fifteenth century, possibly the predecessor of the modern violin.
There are three main types of Lyra Crete: 1.The
lyraki (Greek: λυράκι), a small model of Lyra, almost identical to the Byzantine dedicated lyra only to the accompaniment of dances (Anoyanakis, 1976) 2.The
vrontolyra (Greek: βροντόλυρα), which produces a loud sound, ideal for songs. 3.The
common lyra (Greek: λύρα κοινή), popular on the island today, designed after the combination of lyraki with the violin.
violin influence caused the transformation of the many features of ancient Cretan Lyra (lyraki) in contemporary lyra, including tuning, playing, and repertoire. In 1920, the "viololyra" was developed in an effort local artisans to provide the sound and technical possibilities of the violin to the old Byzantine lyraki. Twenty years later a new combination of violin lyraki and gave birth to the common lyra. Other models include four-stringed lyre. In 1990, Ross Daly had designed a new type of Cretan lyra lyraki incorporates elements from the Byzantine model and sarangi india lyra. The result was a three-stringed lyre of 29 cm in length (the same as the standard of the Cretan lyra), and 18 sympathetic strings that sound like Indian jawari (the number of sympathetic strings then increased to 22).
The Lyre of Crete, despite the coincidence of name has any relationship and can not be confused with the lyre of ancient Greece.
Featured performers are: Kostas Mountakis, Thanassis Skordalos and Psarantonis.
Links:
• Magrini, Tullia. 1997. The Cretan lyra and the Influence of Violating. Ethnomusicology Online 3
Ross Daly
Mara Aranda Efren Lopez
In Spain, performers like Efren Lopez, Mara Aranda, the group's hook ya extinguido fire in his study of Claras testimonials yet Musics:
L'Ham de Foc - Feature Rodasons 1.
L'Ham de Foc - Feature Rodasons 2.
Valencia Estanbul, Thessaloniki, Kabul (1 / 4)
Valencia Estanbul, Thessaloniki, Kabul (2 / 4)
Valencia Estanbul, Thessaloniki, Kabul (3 / 4)
Valencia Estanbul, Thessaloniki, Kabul (4 / 4)
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